The Range — Notebook №4 to №12

This is the answer sheet for the little spiral notebook that flashes past in the video. Nine remote-viewing practice sessions, all drawn in one evening sitting on 24 July 2026 — and the video never shows what each page was actually aimed at. This page does: for every session №4–№12 you get the page I drew, the target it was aimed at, the little warm-up exercise for that draw, and how the blind judging went.

How a session works

A button-press draws a sealed target from a pool of 80 real photographs (five classes: land, water, structure, energy, life). The tag on the phone is an encrypted reference — there is nothing to peek at, and the reveal later decrypts it as proof the target never moved.
Each draw comes with a small exercise — "draw with your wrong hand", "colour before line". These are pen warm-up games that shape style, not content. They're the unimportant part, listed here only because you can see their fingerprints on the pages.
A few minutes with the pen, then the page is photographed and sealed by upload. (The scribble in the top-right corner of every page is pen-priming — a clearing mark, never part of the read.)
Blind judging: the page is set against four cards — the real target plus three decoys from other classes. A blind pick is right 25% of the time by pure luck.
Reveal, self-score, and the result goes in the ledger — misses recorded in the same ink as hits. That's the whole point of the instrument.

The honest tally

At the four-card table: 2 hits out of 9 — which is chance (you'd expect ~2¼ from luck alone). That number stays. What made the night worth publishing is on the pages themselves: the sketches kept brushing the target's geometry and materials even when the final pick went wrong — and a pattern showed up in how the picks went wrong (see №9, №10 and №12) that changed how the judging works now.

All quoted notes below are exactly as typed that night, before the reveal unless marked otherwise.

№4 · the caldera road

exercise · clean exittarget class · energytable · HIT

Notebook page №4 — a road sweeping to an arch on the horizon, low sun, compass — A one-point road with a hatched verge sweeping to a dome on the horizon, sun low to the left, glyph row up top, a committed compass (which came out mirrored — N at the bottom).

Caldera de las Cañadas with Teide behind, Tenerife — Caldera de las Cañadas, Tenerife — the walking trail toward Teide's volcanic cone. Photo: H. Zell · CC BY-SA 3.0 · Wikimedia Commons

"I was feeling water. It was a road and quite dry"debrief note, written after the reveal

Exercise of the draw: end with one written sentence and a confidence 0–4 — sign off like you mean it. First real session, first hit: picked the caldera card out of four. The road-to-a-dome geometry is the whole target in one line; the naming layer said "water" and the pick correctly ignored it.

№5 · hot blue

exercise · colour firsttarget class · lifetable · miss

Notebook page №5 — a peak above a cloud line with blue slashing strokes — A big gabled peak riding above a cloud line, blue slashing strokes across the face, blue colour-field and zigzag glyphs in the header row.

Flame tree in bloom over a stone building, Bamako, Mali — A flame tree in full hot-red bloom over a stone building — Bamako, Mali. Photo: Robin Taylor · CC BY 2.0 · Wikimedia Commons

"definitely felt above the cloud line. The mountain shape with the slashing action, hot blue colour."

Exercise: lay colour fields before any line — where is it warm, where is it cold? Picked the energy card; miss. The keeper from this one: "hot blue" — temperature landed right (the tree is a furnace of blossom), hue came out wrong. Temperature and hue turn out to be separate channels, and the imagined cold-mountain scene had back-filled the hue. Also worth noticing: the target's stone gable is a near-match for the drawn peak — buildings kept arriving as landforms all night.

№6 · power from the bottom

exercise · vertical censustarget class · watertable · miss

Notebook page №6 — nested inward triangle over a scalloped bubbly base with yellow accents — A deep nested triangle/arch driving inward, riding on a scalloped, bubbly bottom edge, yellow accents low and right.

Lily pond below a blackened blast-furnace wall, Landschaftspark Duisburg-Nord — A lily pond under a blackened blast-furnace wall — Landschaftspark Duisburg-Nord, Germany. Photo: Dietmar Rabich · CC BY-SA 4.0 · Wikimedia Commons

"The power was coming from the bottom. Deep inward repeating triangle / arch"

Exercise: count the dominant axes before drawing — how many verticals vs horizontals want to exist? Picked the life card; miss. Read back against the target afterwards: solid mass below, thinner above — the stone quay and concrete lip under the towering wall — and the small yellow accent against a grey field, where the target's one loud accent is the yellow sign pair on the wall. Colour kept reporting the loudest accent, not the biggest area.

№7 · the two-minute road

exercise · two-minute captarget class · landtable · miss

Notebook page №7 — a road with dashed centreline beside a large hatched mass — A road with a dashed centreline running off the bottom of the page, a big cross-hatched mass beside it, a feather/leaf form top-left. Stopped dead at the two-minute bell.

Fv55 road between melting snow walls at Sognefjellet, Norway — The Fv55 mountain road at Sognefjellet, Norway, dashed centreline between melting snow walls. Photo: Ximonic (Simo Räsänen) · CC BY-SA 3.0 · Wikimedia Commons

"Was trying to see more. See colour. Then I saw the instruction to hard stop after 2 min. So I assumed it was time to stop."

Exercise: hard stop at two minutes — whatever is on the page is the session. The page grew a road with a dashed centreline; the target is a road with a dashed centreline. At the table the pick went to the fog-tower card instead — miss recorded. This is the night in miniature: page-to-target correspondence running ahead of the table result.

№8 · pipe energy

exercise · ideogram firsttarget class · structuretable · miss

Notebook page №8 — cylinders, a zigzag ridge with green tips, swirling bottom — Cylinders — pipe forms — a zigzag ridge with green tips, a yellow-hatched patch, and big wavy swirls along the bottom.

London tower blocks rising out of a fog sea at dawn — London tower blocks rising out of a sea of fog at dawn. Photo: mattbuck · CC BY-SA 4.0 · Wikimedia Commons

"mound/natural greenery. Pipe energy. Bottom is swirly or similar wavy."

Exercise: pen touches paper within 3 seconds of the tag — one reflex mark before the head answers. Picked the water card; miss. But hold the sealed note against the photo: a round-windowed brick tower arriving as "pipe", and "bottom is swirly" over a literal sea of fog. The structure channel kept speaking in materials — masonry reaches the pen as plumbing and geology, the noun "building" never arrives.

№9 · the rumble strip

exercise · wrong handtarget class · watertable · miss

Notebook page №9 — nested arc bands, a boat glyph, horizontal line stacks — Nested arc-bands stacked like strata, a boat glyph and horizontal-line stacks in the header, a dark hatched block on a long horizon.

Grand Prismatic Spring with banded microbial mats, Yellowstone — Grand Prismatic Spring, Yellowstone — ringed, ridged microbial mat terraces. Photo: Dietmar Rabich · CC BY-SA 4.0 · Wikimedia Commons

"sorry didn't see the non dominant hand. But I kept feeling running my hands and fingers over some kind of layered horizontal rumble strip feeling, rubbery maybe"

Exercise: first 30 seconds with the non-dominant hand (missed the instruction — noted honestly). The most specific material correspondence of the night, and it's fully non-visual: Grand Prismatic's microbial mats are layered, ridged and literally rubbery to the touch. At the table the eye went to the Yellowstone card first — then second-guessing switched to the lighthouse card the "boat" noun preferred. Miss recorded. The cost of that switch is what created the two-tap judging that starts at №10: the first pull now gets logged separately from the final pick.

№10 · the clean one

exercise · colour locktarget class · landtable · HITpull = pick = target

Notebook page №10 — full colour scene: yellow band, blue water with trees standing in it, A-frame glyphs, red cross-hatch — Full colour: a yellow field band, a blue water band with trees standing in it, an A-frame-on-legs drawn twice (header glyph and scene), a red cross-hatched accent, and the word "school?".

Flooded paddy field with stilted hut and karst mounds, Vang Vieng, Laos — A flooded paddy field at Vang Vieng, Laos — stilted A-frame hut with a red tin roof, rice sheaves standing in the water, green karst mounds. Photo: Basile Morin · CC BY-SA 4.0 · Wikimedia Commons

Exercise: the instant a colour fires, write temperature + hue and tag it FIELD or FLASH before the scene can vote. First pull, final pick and target all the same card. Every committed colour paid: yellow field, blue water, green standing shapes, red accent = the hut's red corrugated roof. And the one noun on the page — "school?" — matched the ornate town-hall decoy, not the target: noun-bait served and refused, geometry held. The green-mounds man took his home class clean.

№11 · the wrong postcard

exercise · vertical censustarget class · structuretable · miss

Notebook page №11 — mountain range mirrored in water, autumn note, dark looming mound — A mountain range with its mirror reflection in water, "Autumn? / Fall" written out, a red/green/yellow swatch trio, tree stumps and figures at the left shore, and a dark looming mound shaded over red.

Książ Castle rising over autumn-tinged trees, Poland — Książ Castle, Poland — red roofs and green copper domes over early-autumn trees. Photo: Jar.ciurus · CC BY-SA 3.0 pl · Wikimedia Commons

"reflection on the water with the mountains. Canada vibes in autumn. Rock or something foreground right. Tree stumps foreground left."

Exercise: count the dominant axes before drawing. Pull went to one card, final pick to another — both wrong. But look at the ingredients: red roofs and green domes (the swatch trio), an autumn palette, one looming mass, "rock or something" for a castle's masonry. All real, all in the target — assembled by the naming layer into a coherent wrong postcard of a Canadian lake. Buildings arrive as materials; the noun goes missing, and the story fills the gap.

№12 · the giveaway

exercise · sensory passtarget class · landtable · misspull WAS the target

Notebook page №12 — dark triangle-roof shape in red and purple, triangle glyph with planking — A strong dark triangle-roof form in red and purple over a warm centre — and in the header, a triangle-with-planking glyph that reads like a diagram of the target.

Pyramid-shaped plywood hut on a dark Icelandic moor at dusk — A pyramid plywood hut alone on the dark Icelandic moor near Hvolsvöllur, heavy dusk, mountain behind. Photo: Diego Delso · CC BY-SA 4.0 · Wikimedia Commons

"was really dark. Felt man made. Could hardly see anything until that red came in with the "pagoda" style roof."

Exercise: first 60 seconds textures, temperatures, sounds and smells only — no shapes. The most instructive miss of the night. The first pull landed on the target. Deliberation then switched to the Niagara Falls card, distracted by its shiny vertical column — and lost. The audit rule that would have saved it was derived minutes later, unprompted: "I'd have felt the water, and I didn't." Even the struggle was signal — "was really dark, could hardly see anything" over a target that genuinely sits in heavy dusk, and "felt man made" over the one land card with a built subject. Cost a hit; bought a law.

What the night taught

The signal channel is abstract and material — counts, axes, bands, textures, temperature land; nouns and finished scenes are where the imagination builds its coherent wrong postcards out of right ingredients.
Buildings arrive as materials. A tower comes through as "pipe", a castle as "rock", a hut as "man made" plus a triangle diagram. The noun is the only thing missing.
Colour reports salience, not area — the loudest accent in the frame, not the biggest field. And temperature and hue are separate channels that can disagree ("hot blue" vs a hot-red tree).
The first pull outran deliberation. Where both were recorded, holding the pull won and every switch lost — №12 switched off the target itself. Small numbers, held honestly; the instrument now logs both columns every session.

Target photographs are Wikimedia Commons Featured Pictures — full credit and license under each image. The practice instrument is self-hosted: sealed draws, encrypted tags, decoy judging against a 25% chance floor, and a ledger that keeps the misses.